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  1. It’s Kyoto Sanjo-Ohashi (judging from the shape of Giboshi: the metal ornament cap of the bridge)

    But can’t identify the source - 田本研造 (kenzo tamoto?) - or someone much later. 1930s, 40s … 

    You don’t get to see these kind of Kimono in Japan today. Aesthetics used to be decisive - real sharp and modernistic.

    Today we are lot more confused :(

    (via tscp)

    It’s Kyoto Sanjo-Ohashi (judging from the shape of Giboshi: the metal ornament cap of the bridge)

    But can’t identify the source - 田本研造 (kenzo tamoto?) - or someone much later. 1930s, 40s … 

    You don’t get to see these kind of Kimono in Japan today. Aesthetics used to be decisive - real sharp and modernistic.

    Today we are lot more confused :(

    (via tscp)